No album caused as much debate within The Dots as this one in 1995.It
was all about the order of the tracks...quite simply no permutation seemed to work. Ultimately Phil (The Silverman) took the bull by the horns and asked for the independent opinion of long-term LPD friend Christoph Heemann.
The verdict was to leave certain songs off ("Beautiful Machine", "Anastasia", "Day Zero").
The resulting storm could be heard in the South of Belgium and a compromise was the "Remember me this Way" EP - a release which also settled disputes over the mix of the title track.
Even today, there can be debate about this album in Dots' circles but the author of this piece admits that "From here" stands as a personal favourite.
Elke made the fascinating artwork.
released 22 July 2012
Martijn De Kleer-guitar,bass,drums; Ryan Moore:bass,drums;The Silverman:keys; Edward Ka-Spel:vox,keys;Niels van Hoorn:horns,flute;
raymond Steeg:the sound